Brett Dean Appointed Composer in Residence at Berlin Philharmonic
The Strad
Brett Dean’s appointment as composer-in-residence at the Berlin Philharmonic reflects the ensemble’s commitment to performers who compose, a lineage that understands the [scordatura](https://en.wikipedia.org/wiki/Scordatura) (the unconventional tuning of string instruments) of modern orchestral sound. Dean’s history as a violist in the orchestra provides him with an internal knowledge of the Berliners’ capability for extreme dynamic range and nuanced phrasing. This residency confirms the orchestra's pivot toward an integrated model of contemporary programming, moving away from isolated commissions toward a season-long engagement with a single musical mind. Dean’s presence will likely influence the ensemble's approach to the chamber music repertoire as much as its symphonic performances.
Below, watch the composers solo flute piece, Demons:
'Demons' was written in 2004 for flautist Sharon Bezaly’s 'From A to Z' recording. As it was the ‘D’ of the series, Brett initially approached the project from the starting point of alphabetic signage, with the piece starting with a hammering of high Ds played with different tone colourings, attacks, multiphonics and inflections in a highly agitated and 'demonic' manner. The piece then takes off in other directions and, as it unfolds, it reveals a brief but intense rondo movement structure. The opening D-dominated section reappears between contrasting sections of angular Iyricism (suddenly slow and dreamy), then scherzando-inspired virtuosity (lightly flowing, buoyant) and finally spending its energy and slowing into a sense of uneasy calm in the misterioso final section with its brief, curious closing chorale of vocalised chords.